{"id":64,"date":"2021-05-10T17:49:53","date_gmt":"2021-05-10T15:49:53","guid":{"rendered":"https:\/\/robertkubiszyn.com\/?page_id=64"},"modified":"2025-12-03T19:25:27","modified_gmt":"2025-12-03T18:25:27","slug":"dyskografia","status":"publish","type":"page","link":"https:\/\/robertkubiszyn.com\/index.php\/dyskografia\/","title":{"rendered":"Dyskografia"},"content":{"rendered":"
\n
\"\"

Pierwsza autorska p\u0142yta Roberta Kubiszyna<\/strong>.

Wszystkie kompozycje, kt\u00f3re znajduj\u0105 si\u0119 na nowym \u201ckr\u0105\u017cku\u201d s\u0105 dzie\u0142em autora.
Ten audiofilski i wyj\u0105tkowy projekt skupia muzyk\u00f3w z tzw.ekstraklasy polskiego i \u015bwiatowego jazzu. Tworz\u0105 oni niepowtarzalny team, nadaj\u0105c muzyce wyj\u0105tkowy \u201e kolor\u201d:
Mino Cinelu, Krzysztof Herdzin, Anna Maria Jopek, Gregoire Maret , 
Robert Majewski, Tim Miller, Henryk Mi\u015bkiewicz, Marek Napi\u00f3rkowski, 
Adam Piero\u0144czyk, Grzegorz Turnau, Micha\u0142 D\u0105br\u00f3wka, 
Cezary Konrad,Robert Luty\u2026<\/strong>

Wydawc\u0105 i wsp\u00f3\u0142producentem p\u0142yty jest Proa Records<\/strong> – audiofilska 
firma fonograficzna b\u0119d\u0105ca nierozerwaln\u0105 cz\u0119\u015bci\u0105 ekskluzywnej manufaktury produkuj\u0105cej g\u0142o\u015bniki i kolumny g\u0142o\u015bnikowe znanej pod nazw\u0105 Proa Individual<\/strong> . Ca\u0142o\u015b\u0107 materia\u0142u weryfikowana by\u0142a przy u\u017cyciu monitor\u00f3w ods\u0142uchowych  Night de Luxe i stworzonych specjalnie na \u017cyczenie Roberta Kubiszyna pot\u0119\u017cnych kolumn masteringowych z serii Arek Pruszczy\u0144ski Studio Series.<\/strong>

Proa Records & Universal Music <\/strong>( wsp\u00f3\u0142wydawca )
Premiera 05.11.2010<\/figcaption><\/figure>\n<\/div>\n\n
\n
\"\"

Dwa lata po premierze „Czasu kobiety”<\/strong> w Teatrze Starym w Lublinie<\/strong>, Anna Maria Jopek<\/strong> i Robert Kubiszyn<\/strong> przywo\u0142ali wspomnienia wsp\u00f3\u0142pracy z legend\u0105 polskiego teatru, Leszkiem M\u0105dzikiem<\/strong> i nagrali muzyk\u0119, kt\u00f3r\u0105 wtedy wykonywali na \u017cywo, co noc na scenie.

„Sensualna, oryginalna, odwa\u017cna” – tak m\u00f3wiono o ciekawej narracji muzycznej towarzysz\u0105cej misterium teatru M\u0105dzika z Jopek w g\u0142\u00f3wnej roli. Przez 40 minut wyst\u0119pu na scenie nie pada ani jedno s\u0142owo. Jopek wypracowa\u0142a j\u0119zyk w\u0142asnej wokalizy z uk\u0142onem dla muzyki klasycznej i jazzu, ale przede wszystkim podporz\u0105dkowany roli, kt\u00f3rej powierzy\u0142 jej re\u017cyser. „W 40 minut musz\u0119 zagra\u0107 i za\u015bpiewa\u0107 ca\u0142e swoje \u017cycie”- powiedzia\u0142a AMJ – „to g\u0142\u0119bokie prze\u017cycie, wymagaj\u0105ce ode mnie wielkiej si\u0142y psychicznej”.

Muzyka „Czasu kobiety” to etiuda na wielkie przestrzenie i najprostsze, elementarne struktury takie, jak g\u0142os z akompaniamentem basu. Autorska praca Anny Marii Jopek i Roberta Kubiszyna, basisty z kt\u00f3rym Jopek wsp\u00f3\u0142pracuje od lat, jest w ca\u0142o\u015bci wykonana przez \u00f3w duet.
Universal Music Polska 12.01.2018<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n

\n
\"\"

sanah, Anna Maria Jopek – Kocha\u0142am pana (A. Osiecka) – singiel<\/a><\/strong>


Mia\u0142em ogromn\u0105 przyjemno\u015b\u0107 pracowa\u0107 nad utworem „Kocha\u0142am Pana”<\/strong>, stworzonym do tekstu Agnieszki Osieckiej<\/strong>. Jako producent, aran\u017cer, wsp\u00f3\u0142kompozytor i realizator zadba\u0142em o ka\u017cdy detal brzmieniowy, a tak\u017ce zagra\u0142em na kontrabasie, klawiszach i ukulele.

Projekt zosta\u0142 zrealizowany na zaproszenie wyj\u0105tkowej sanah<\/strong>, a go\u015bcinny udzia\u0142 w nagraniu wzi\u0119\u0142a zjawiskowa Anna Maria Jopek<\/strong>.

Za miks i mastering odpowiada wybitny Rafa\u0142 Smole\u0144<\/strong>.
W nagraniu udzia\u0142 wzi\u0119li:
Dawid Lubowicz<\/strong> \u2013 skrzypce barytonowe
Pawe\u0142 Tomaszewski<\/strong> \u2013 fortepian
Pawe\u0142 Dobrowolski<\/strong> \u2013 perkusja
2025 Magic Records<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

Udzia\u0142 go\u015bcinny:<\/strong><\/p>\n\n\n\n

\n
\n
\n
\n
\"\"
2025<\/figcaption><\/figure>\n\n\n\n
\"\"
2025<\/figcaption><\/figure>\n\n\n\n
\"\"
2024<\/figcaption><\/figure>\n\n\n\n
\"\"
2024<\/figcaption><\/figure>\n\n\n\n
\"\"
2024<\/figcaption><\/figure>\n\n\n\n
\"\"
2023<\/figcaption><\/figure>\n\n\n\n
\"\"
2023<\/figcaption><\/figure>\n\n\n\n
\"\"
2022<\/figcaption><\/figure>\n\n\n\n
\"\"
2022<\/figcaption><\/figure>\n\n\n\n
\"\"
2021<\/figcaption><\/figure>\n\n\n\n
\"\"
2021<\/figcaption><\/figure>\n\n\n\n
\"\"
2021<\/figcaption><\/figure>\n\n\n\n
\"\"
2020<\/figcaption><\/figure>\n\n\n\n
\"\"
2020<\/figcaption><\/figure>\n\n\n\n
\"\"
2020<\/figcaption><\/figure>\n\n\n\n
\"\"
2020<\/figcaption><\/figure>\n\n\n\n
\"\"
2020<\/figcaption><\/figure>\n\n\n\n
\"\"
2019<\/figcaption><\/figure>\n\n\n\n
\"\"
2019<\/figcaption><\/figure>\n\n\n\n
\"\"
2018<\/figcaption><\/figure>\n\n\n\n
\"\"
2018<\/figcaption><\/figure>\n\n\n\n
\"\"
2018<\/figcaption><\/figure>\n\n\n\n
\"\"
2018<\/figcaption><\/figure>\n\n\n\n
\"\"
2018<\/figcaption><\/figure>\n\n\n\n
\"\"
2018<\/figcaption><\/figure>\n\n\n\n
\"\"
2017<\/figcaption><\/figure>\n\n\n\n
\"\"
2017<\/figcaption><\/figure>\n\n\n\n
\"\"
2017<\/figcaption><\/figure>\n\n\n\n
\"\"
2017<\/figcaption><\/figure>\n\n\n\n
\"\"
2017<\/figcaption><\/figure>\n\n\n\n
\"\"
2016<\/figcaption><\/figure>\n\n\n\n
\"\"
2016<\/figcaption><\/figure>\n\n\n\n
\"\"
2016<\/figcaption><\/figure>\n\n\n\n
\"\"
2016<\/figcaption><\/figure>\n\n\n\n
\"\"
2015<\/figcaption><\/figure>\n\n\n\n
\"\"
2015<\/figcaption><\/figure>\n\n\n\n
\"\"
2015<\/figcaption><\/figure>\n\n\n\n
\"\"
2015<\/figcaption><\/figure>\n\n\n\n
\"\"
2014<\/figcaption><\/figure>\n\n\n\n
\"\"
2014<\/figcaption><\/figure>\n\n\n\n
\"\"
2014<\/figcaption><\/figure>\n\n\n\n
\"\"
2013<\/figcaption><\/figure>\n\n\n\n
\"\"
2013<\/figcaption><\/figure>\n\n\n\n
\"\"
2013<\/figcaption><\/figure>\n\n\n\n
\"\"
2013<\/figcaption><\/figure>\n\n\n\n
\"\"
2013<\/figcaption><\/figure>\n\n\n\n
\"\"
2013<\/figcaption><\/figure>\n\n\n\n
\"\"
2013<\/figcaption><\/figure>\n\n\n\n
\"\"
2013<\/figcaption><\/figure>\n\n\n\n
\"\"
2013<\/figcaption><\/figure>\n\n\n\n
\"\"
2013<\/figcaption><\/figure>\n\n\n\n
\"\"
2012<\/figcaption><\/figure>\n\n\n\n
\"\"
2012<\/figcaption><\/figure>\n\n\n\n
\"\"
2012<\/figcaption><\/figure>\n\n\n\n
\"\"
2012<\/figcaption><\/figure>\n\n\n\n
\"\"
2012<\/figcaption><\/figure>\n\n\n\n
\"\"
2012<\/figcaption><\/figure>\n\n\n\n
\"\"
2012<\/figcaption><\/figure>\n\n\n\n
\"\"
2012<\/figcaption><\/figure>\n\n\n\n
\"\"
2012<\/figcaption><\/figure>\n\n\n\n
\"\"
2012<\/figcaption><\/figure>\n\n\n\n
\"\"
2012<\/figcaption><\/figure>\n\n\n\n
\"\"
2011<\/figcaption><\/figure>\n\n\n\n
\"\"
2011<\/figcaption><\/figure>\n\n\n\n
\"\"
2011<\/figcaption><\/figure>\n\n\n\n
\"\"
2011<\/figcaption><\/figure>\n\n\n\n
\"\"
2011<\/figcaption><\/figure>\n\n\n\n
\"\"
2011<\/figcaption><\/figure>\n\n\n\n
\"\"
2011<\/figcaption><\/figure>\n\n\n\n
\"\"
2011<\/figcaption><\/figure>\n\n\n\n
\"\"
2011<\/figcaption><\/figure>\n\n\n\n
\"\"
2011<\/figcaption><\/figure>\n\n\n\n
\"\"
2011<\/figcaption><\/figure>\n\n\n\n
\"\"
2011<\/figcaption><\/figure>\n\n\n\n
\"\"
2010<\/figcaption><\/figure>\n\n\n\n
\"\"
2010<\/figcaption><\/figure>\n\n\n\n
\"\"
2010<\/figcaption><\/figure>\n\n\n\n
\"\"
2010<\/figcaption><\/figure>\n\n\n\n
\"\"
2010<\/figcaption><\/figure>\n\n\n\n
\"\"
2010<\/figcaption><\/figure>\n\n\n\n
\"\"
2010<\/figcaption><\/figure>\n\n\n\n
\"\"
2010<\/figcaption><\/figure>\n\n\n\n
\"\"
2010<\/figcaption><\/figure>\n\n\n\n
\"\"
2009<\/figcaption><\/figure>\n\n\n\n
\"\"
2009<\/figcaption><\/figure>\n\n\n\n
\"\"
2009<\/figcaption><\/figure>\n\n\n\n
\"\"
2009<\/figcaption><\/figure>\n\n\n\n
\"\"
2009<\/figcaption><\/figure>\n\n\n\n
\"\"
2009<\/figcaption><\/figure>\n\n\n\n
\"\"
2009<\/figcaption><\/figure>\n\n\n\n
\"\"
2008<\/figcaption><\/figure>\n\n\n\n
\"\"
2008<\/figcaption><\/figure>\n\n\n\n
\"\"
2008<\/figcaption><\/figure>\n\n\n\n
\"\"
2008<\/figcaption><\/figure>\n\n\n\n
\"\"
2008<\/figcaption><\/figure>\n\n\n\n
\"\"
2008<\/figcaption><\/figure>\n\n\n\n
\"\"
2008<\/figcaption><\/figure>\n\n\n\n
\"\"
2008<\/figcaption><\/figure>\n\n\n\n
\"\"
2008<\/figcaption><\/figure>\n\n\n\n
\"\"
2008<\/figcaption><\/figure>\n\n\n\n
\"\"
2008<\/figcaption><\/figure>\n\n\n\n
\"\"
2007<\/figcaption><\/figure>\n\n\n\n
\"\"
2007<\/figcaption><\/figure>\n\n\n\n
\"\"
2007<\/figcaption><\/figure>\n\n\n\n
\"\"
2007<\/figcaption><\/figure>\n\n\n\n
\"\"
2006<\/figcaption><\/figure>\n\n\n\n
\"\"
2006<\/figcaption><\/figure>\n\n\n\n
\"\"
2006<\/figcaption><\/figure>\n\n\n\n
\"\"
2006<\/figcaption><\/figure>\n\n\n\n
\"\"
2006<\/figcaption><\/figure>\n\n\n\n
\"\"
2006<\/figcaption><\/figure>\n\n\n\n
\"\"
2006<\/figcaption><\/figure>\n\n\n\n
\"\"
2006<\/figcaption><\/figure>\n\n\n\n
\"\"
2006<\/figcaption><\/figure>\n\n\n\n
\"\"
2005<\/figcaption><\/figure>\n\n\n\n
\"\"
2005<\/figcaption><\/figure>\n\n\n\n
\"\"
2005<\/figcaption><\/figure>\n\n\n\n
\"\"
2005<\/figcaption><\/figure>\n\n\n\n
\"\"
2005<\/figcaption><\/figure>\n\n\n\n
\"\"
2005<\/figcaption><\/figure>\n\n\n\n
\"\"
2005<\/figcaption><\/figure>\n\n\n\n
\"\"
2005<\/figcaption><\/figure>\n\n\n\n
\"\"
2004<\/figcaption><\/figure>\n\n\n\n
\"\"
2004<\/figcaption><\/figure>\n\n\n\n
\"\"
2004<\/figcaption><\/figure>\n\n\n\n
\"\"
2004<\/figcaption><\/figure>\n\n\n\n
\"\"
2004<\/figcaption><\/figure>\n\n\n\n
\"\"
2004<\/figcaption><\/figure>\n\n\n\n
\"\"
2004<\/figcaption><\/figure>\n\n\n\n
\"\"
2003<\/figcaption><\/figure>\n\n\n\n
\"\"
2002<\/figcaption><\/figure>\n\n\n\n
\"\"
2002<\/figcaption><\/figure>\n\n\n\n
\"\"
2002<\/figcaption><\/figure>\n\n\n\n
\"\"
2002<\/figcaption><\/figure>\n\n\n\n
\"\"
2002<\/figcaption><\/figure>\n\n\n\n
\"\"
2001<\/figcaption><\/figure>\n\n\n\n
\"\"
2001<\/figcaption><\/figure>\n\n\n\n
\"\"
2000<\/figcaption><\/figure>\n\n\n\n
\"\"
2000<\/figcaption><\/figure>\n\n\n\n
\"\"
2000<\/figcaption><\/figure>\n\n\n\n
\"\"
1999<\/figcaption><\/figure>\n\n\n\n
\"\"
1999<\/figcaption><\/figure>\n\n\n\n
\"\"
1999<\/figcaption><\/figure>\n\n\n\n
\"\"
1999<\/figcaption><\/figure>\n\n\n\n
\"\"
1999<\/figcaption><\/figure>\n\n\n\n
\"\"
1998<\/figcaption><\/figure>\n\n\n\n
\"\"
1998<\/figcaption><\/figure>\n\n\n\n
\"\"
1997<\/figcaption><\/figure>\n\n\n\n
\"\"
1997<\/figcaption><\/figure>\n\n\n\n
\"\"
1997<\/figcaption><\/figure>\n<\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

<\/p>\n\n\n\n

\n
<\/div>\n\n\n\n
<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Udzia\u0142 go\u015bcinny:<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-64","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/robertkubiszyn.com\/index.php\/wp-json\/wp\/v2\/pages\/64","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/robertkubiszyn.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/robertkubiszyn.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/robertkubiszyn.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/robertkubiszyn.com\/index.php\/wp-json\/wp\/v2\/comments?post=64"}],"version-history":[{"count":83,"href":"https:\/\/robertkubiszyn.com\/index.php\/wp-json\/wp\/v2\/pages\/64\/revisions"}],"predecessor-version":[{"id":709,"href":"https:\/\/robertkubiszyn.com\/index.php\/wp-json\/wp\/v2\/pages\/64\/revisions\/709"}],"wp:attachment":[{"href":"https:\/\/robertkubiszyn.com\/index.php\/wp-json\/wp\/v2\/media?parent=64"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}